Capturing movement is a challenge since the beginning of photography. Engineers perfected the shutter mechanism over the decades, allowing the camera to freeze the action. However, sometimes the “frozen” nature of an image betrays the dynamic nature of events in front of our eyes. Moving the camera intentionally adds the element of surprise again, the image’s authenticity and integrity complements our way of seeing.
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Evening is my favorite time of day to experiment with light painting. Fortunately, fairs and markets attract with spectacular lights, making it easy to find a spot to play with neon. Flares and shapes interact in a completely new way as you change the settings.
Here are some examples of recent light painting captures.
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Popular in many garden, hydrangeas provide a splash of color and texture. You can add cool colors to your green space. Pink, purple, white, light blue. Also known as hortensia, the bushes bloom for a very long time. I like how you can monitor the growth of the flower, from the seed capsules to the full show. Apparently the color of some cultivars is determined by the presence of aluminum ions in the soil, and therefore the hydrangea has earned the nickname of “change rose” because you can manipulate the color. These plants were photographed at the Forstbotanischer Garten in Cologne.
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Although the ancient bishopric of Mainz was destroyed in the air raids of the Second World War, the old town has been restored, including some interesting features from the early modern era. Before someone came up with numbering houses, they carried names. In the Augustinerstrasse, one of the half-timbered houses displays a row of faces – they frown, look at you in disgust or laugh eerily. Provoking a smile from any passer-by, the grotesque contortions seem to suggest they are a mirror -“see, this is what you look like when you are angry”. We may wonder who was the model for this row of faces, and if they are proud to have been immortalized in this fashion!
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The Cologne Cathedral is usually adorned by scaffolding, indicating ongoing preservation work (Kodak Gold 200)
This is the first instalment of a series on extraordinary cameras. The Canon AE-1 is not only a classic milestone in the history of film cameras, it also occupies a special place since it was the first modern SLR in our home. Beforehand, photography was rather challenging – you had to calculate distance and focus. Family photos were time-consuming, and the subjects quickly got tired of posing awkwardly, unless you had a landscape or flowers in front of you. In those days, finishing a 36-frame film took months. It was expensive to develop the prints. On the other hand, you would sit down and share the photos, trying to remember together where this frame was shot. Purchasing the Canon AE-1 was a game-changer. It was faster, it offered a system of interchangeable lenses, and it turned photography from a documentary practice to fun. Mind you, it was not cheap: the cost was between 600 and 700 DM, which amounts to approximately 800-900 Euro in today’s age.
This demonstrator in front of the cathedral reminds us that “weniger” – “less” is more (Kodak Gold 200)
We took pictures when family gathered for birthdays and holidays, or when we traveled on vacation once a year. Subsequently, the stack of negatives and prints of a family archive neatly fits into a couple of shoeboxes and a few albums. By comparison, shooting digitally means amassing tens of thousands of images, storing them on hard drives and computers, and possibly forgetting them.
Nighttime under a railway bridge (Kodak Ektar 100). Photo meetup event.
Picking up the Canon AE-1 is a joy. The ergonomics are brilliant, the weight is perfect with 750g, the shutter noise and the film advance are smooth and crisp after all these years. Great Japanese engineering. It is not complicated to handle, since it was designed for the enthusiast. As in the 1980s, the camera fulfills the mission: to improve the photographic quality of your images, to allow people to learn the craft, and to make lasting memories.
Open pit mining in Garzweiler (Kodak Gold200, 28mm)
The Canon AE-1 can be the workhorse for analog images, or it can be the Sunday treat. In my kit, the standard 50mm and a 28mm get the most traction. I am not a big fan of the old zoom lenses, so I try to stick to the primes. It is ideal for your photo walk around town, picking up some details or the occasional wider angle, here at use in the local industrial mining area.
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You cannot go wrong if you stash the Canon AE-1 in the bag for a stroll around. The camera does what the best sports referees attempt to do: It stays out of the way, allowing you to focus on the composition. There is a reason Canon sold millions of copies. It put a sophisticated electronic device into the hands of the consumer.
