Agfa is one of the storied companies of film. Most of the time, Agfa produced affordable consumer cameras to promote its extensive line of film. This particular SLR from the early 1980s is relatively rare and was designed by a famous German design company, Schlagheck & Schultes. The body is black, but it sports the trademark orange button. I also like that the Chinon-made camera has an easy-to-operate double exposure slider. The Agfa is very suitable for double or multiple exposure images and can operate with all Pentax lenses.
Schloss Augustusburg in Bruehl. Fuji 200.
I have been using a standard Pentax 50mm lens. The Agfa Selectronic 3 is the best of the three cameras made by Chinon for the German company. It is a rebadged Chinon CE-4. I enjoy the unusual design, especially since I was also able to get my hands on a vintage AGFA strap and appreciate the AGFA effort to offer something special with this camera.
By the 1980s, the development of the SLR had advanced to produce solid cameras with a remarkable list of specs. Some companies lead the market by spending tons of money on commercials, magazine advertisements and endorsements, others sought to offer good value for money. Now that these bodies are affordable and collectable, it is fun to check out what different design concepts could achieve. The Rikoh XR-7M is one of the unsung heroes of the age.
Skinny parking garage. Kodak Pro Image 100.
Ricoh itself dates back to 1938. In the 1980s, their range of SLRs included beginner, advanced amateur and professional models. The XR-7M features aperture priority with full manual override. The shutter speeds range from 8 seconds to 1/2000. You can use any of the Pentax K-Mount lenses on this typical 1980s style camera body. It handles well and the body is sturdy and durable. Although constructed to last, it is lightweight and quite ergonomic to operate. What I like in particular is the easy multiple exposure switch and therefore the ability to produce in camera double, triple, and multiple exposures.
The Ricoh’s double exposure function tested with expired “Farbwelt 200” film.
Like many of these models, they get little love: They don’t have the cache of big brand names and often fly under the radar of collectors. Which makes it easier to acquire them at a decent price! I would recommend investing in a deal involving a few lenses and a bag, this will not set you back very much.
Overpass from below (Kodak Pro Image 100)
Bargain price, good ergonomics, and plenty of potential to experiment: now wonder I enjoy using the 1980s SLR’s! With demand and prices increasing, it is still fun to seek out affordable mechanical machinery from the “golden age”. However, some of the camera may soon reach their natural demise, so if you have them in your collection, take them out for a spin and enjoy them.
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The lenses (made in Japan) are suitably sharp. I like the film “look”, and I do think sharpness is overrated, just like bokeh. Although I like the testing of “new to me” camera, I also enjoy investing a bit more time in producing better images. It is indeed satisfying to experience the ability of these contraptions to capture an image at all, yet it gives me pleasure to add a little spice and push them to the limits. And although I do experiment with expired film, I think the best way to do the vintage cameras a service is to honor them with fresh film to bring out their full potential.
Layers (Fuji 200)
The Ricoh XR-7m is a great vintage SLR from the best age of SLR camera manufacturing. The company and this particular model seem to have been underrated throughout their life span. A real discovery. It is one of these camera bodies I have on my “grab and go” shelf – these are the no-nonsense, reliable film cameras that perform and do not get in the way. (I also have another shelf of “slow down” cameras – these are the mechanical masterpieces that have quirky features or unusual operations you have to keep in mind in the field – or look into the manual to find out about this mysterious switch).
